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Limited time offer discount of £24 (rrp £30) during exhibition at National Football Museum, includes a special postcard pack whilst stocks last.
You can purchase the book for UK delivery by clicking the link at bottom of this column, which will take you through to paypal or card payment. International orders please email us first for specific shipping costs
If you prefer it is also available by mail-order at special launch offer of £24 including book box first class postage into UK by proforma invoice. Please send email with full address and contact details to email@example.com
International orders please email us for specific shipping costs
What started with a world first – the archaeological excavation of a goalpost hole – ended with a trowel as an exhibit in the National Football Museum. It is to all intents and purposes, ground breaking. In 2013, the Park Avenue football ground, a long-forgotten time capsule of Bradford’s social history, began to be unearthed by archaeologist Jason Wood and artist Neville Gabie.
That first tentative dig convinced them to grab the moment before the ground’s legacy was lost forever. Invigorated by the fans’ enthusiasm, with funding from Arts Council England and the National Football Museum, and with the blessing of Bradford Metropolitan Council, they returned in 2015 with an enlarged team of archaeologists and artists, once again to be embraced by the passionate Avenue fans with their contributions and insights. It is a publication which uses art and archaeology to celebrate the mythology of this once great club.
The book also contains a DVD of artist works and interviews with the archaeologist and fans.
“It reminds me of Damien Hirst’s archaeological book of his Diamond Skull, but it’s more Jeremy Deller than Hirst”
As reviewed by @pittsmike in @archaeologyuk
“What a superb production and a very interesting looking book! I believe this is a first entry to our collection along the lines of goal line archaeology!
And of course, it looks to be a fascinating and moving insight into the social history aspect also.”
Senior Library Assistant Rewley House Continuing Education Library, one of the Bodleian Libraries
“Thanks for the swift service @BPA_BreakGround a marvellous addition to my local sports library.”
“There it is! The green and white, and then the BPA tricolor on the bottom spine. I often look for minute details but I have to admit I reckon I wouldn’t have spotted this!
… Whole thing is a work of art.
You know, we all buy books at times, then some are passed on to other people or given to charity etc, and just a few really key books are kept.
One of those forever books is this one. It’s a book you just don’t let go of. Great!”
All press enquiries and book shop orders email firstname.lastname@example.org for attention of Alan Ward
or call o161 8820004
ISBN: 978 0 9554825 6 4
Retail price £30 plus postage
Click the button for automatic exhibition discount price for UK including shipping at £24.00
What started with a world first – the archaeological excavation of a goalpost hole – ended with a trowel as an exhibit in the National Football Museum. It is to all intents and purposes, ground breaking.
In 2013, the Park Avenue football ground, a long-forgotten time capsule of Bradford’s social history, began to be unearthed by archaeologist Jason Wood and artist Neville Gabie.
That first tentative dig convinced them to grab the moment before the ground’s legacy was lost forever. Invigorated by the fans’ enthusiasm, with funding from Arts Council England and the National Football Museum, and with the blessing of Bradford Metropolitan Council, they returned in 2015 with an enlarged team of archaeologists and artists, once again to be embraced by the passionate Avenue fans with their contributions and insights.
It is a publication which uses art and archaeology to celebrate the mythology of this once great club.
Details of how to purchase this title coming soon. All enquiries to email@example.com
Published by Manchester University Press and the Whitworth, this extensively illustrated catalogue to accompany the exhibition features the work of one of the radical originators and innovators of the European tradition of printmaking, Marcantonio Raimondi (c. 1480-c. 1534). Marcantonio was one of the leading printmakers of the Italian Renaissance and is best known for his groundbreaking collaboration with the Renaissance artist Raphael. This is the first Marcantonio Raimondi exhibition for thirty-five years and the first ever in the UK.
No. 04 in the Whitworth series of publications
This is the accompanying publication to Paisnel Gallery’s new exhibition from Bath-based artist Jeremy Gardiner around the theme of the lighthouse. The artist explores the dramatic south west coastline of Cornwall, Devon and Dorset, travelling from the islands of Lundy to Godrevy and on to the Isle of Wight.
This is reflected in the use of spot varnish details throughout the publication, which glint and catch the eye on the paper surface. The publication is wrapped in an unusual hard dust jacket that houses the DVD.
Days before he died Akinori Hosaka said to Richard Goulding, “I am not a wealthy man but, because of judo in my heart, I am a millionaire”. This statement led to a five year project and the resulting photographs are now published as a monograph by The Ichiban Press.
Stunning photographs, beautifully reproduced in duotone by Graphius, Ghent
The book is available from here www.becauseofjudo.com
Latest gallery publication designed within the new evolving house-style for Manchester Art Gallery.
Two stocks were used to explore different facets of the show and the cover was soft-touch laminated and gold foil embossed.
Live the Life that You Dream commissioned and published by InSite Arts, documents the contemporary installations by artist Mark Titchner, installed in One St Peters Square, Manchester.
The artworks were commissioned by Argent, Glenn Howell Architects and on-site art consultants InSite Arts, the works employ multi-layered gold and silver acrylic extracts of text, adapted from Henry David Thoreau’s Walden 1984 and a pamphlet published post Peterloo in 1819, The Political House that Jack built.
Design, photography and print management: Axis
Essay: Simon Grennan
Print: De Coker, Antwerp
Extract from Paisnel Gallery press release:
Counting Mark Rothko and William Turnbull as peers, and enjoying a 50-year career at the centre of abstract British art, the late John Plumb is finally achieving the recognition his work deserves. Paisnel Gallery is delighted to mark the renaissance of one of the most instinctive painters of the 20th century with its forthcoming exhibition, John Plumb a retrospective, his first career-spanning show. The exhibition runs from 10-20 June at Paisnel Gallery and Gallery 8, both in St James’s, London.
After studying at Central Saint Martins, John Plumb had become a distinguished abstract painter by the 1960s. Initially making his name with a series of stunningly rich tachiste paintings, it was Plumb’s inclusion in the epochal Situation exhibitions, alongside artists such as Bridget Riley and John Hoyland, which signalled his rise to prominence. On a large scale, his use of tape, colour and geometric form was emblematic of London’s status as the 1960s capital of cool, with one of the 1962 tape series now featuring in Tate’s collection.
Plumb progressed from there. With Rothko as a contemporary and acquaintance, he began producing colour-fields of dramatic scale, presence and atmosphere, admired across late 1960s Europe. Plumb’s deep interest in American abstract art and jazz subsequently led him to employ the element of chance in his work, randomly picking day-glo colours to create striking improvisational grids and structures throughout the 1970s.
For various reasons the 1980s were unproductive for Plumb and it was not until the 1990s that he captured the public imagination again, with his large-scale hydrastructure series. This energetic, organic series, also shown in the Tate Collection, is further evidence of his dedication to expression. The John Plumb exhibition explores all these distinct phases of his career, from the 1950s right through to the last work displayed from 1995.
According to gallery owner, Stephen Paisnel, “Artists should be measured by their ability to evolve, invent and progress, and you only have to look at Plumb’s work over a 50-year period to see that not only was he diverse and confident, he was courageous. His work is impulsive in colour, scale, energy and power and the volume makes it truly great to behold. People wanted to live with his work in the past and we really hope collectors will view this exhibition and the catalogue and think, ‘I never realised he was this good’”.
Alongside the larger paintings, the gallery will be showing smaller studies and presenting a collection of fascinating archive material, including photographs, press reviews and sketch books.
The exhibition catalogue, with an introductory essay by the late Frank Whitford, will be available from 25 May.
Commissioned from afar by editor Adrienne Samos from Panama, this publication documents the project conceived by artist Humberto Vélez, to explore art and education within the Latin American context. This book collates the outcomes of the international forum held in May of 2103.
Described as a memoir it contains the key note speeches and exchanges of ideas between speakers and audience, with essays and documentation of Vélez’ ‘Miss Education’ intervention.
272pp soft-back publication produced with exposed binding and coloured stitching.
Commissioned by Coley Books Ltd and written by Edward Yardley. This is the first major publication looking at the artist’s output. It was produced to accompany a touring exhibition that opened at Hartlepool Art Gallery in March 2015.
“The result of their meeting is a lovely new book about Frank Mason by Edward Yardley and a series of major exhibitions of Frank Henry Mason’s art over the next few months.
The first exhibition opened last night at Hartlepool Art Gallery in Church Square. It opens to the public Saturday 21st March and runs until the 30th May 2015. I went to the preview evening and I have to say, it’s probably the finest exhibition I’ve seen in the North East since the Winslow Homer Exhibition in 1988 at the Northern Centre for Contemporary Art in Sunderland.
Frank Henry Mason’s varied artistic skills are clearly evident in his delightful watercolours of sailing ships, fishing vessels, places like Venice, Portugal and the North East Coast. There are also dramatic seascapes depicting World War 1 & 2 navel conflicts, his carefully considered etchings and of course his stunning railway posters.
One of my favourites is this beautifully executed watercolour and gouache painting of Pyramids at Gizza seen in what looks like early evening light. The limited palate has been tastefully chosen to render the fading light. Flicks of red, ultramarine and pink add subtle sparkle to the scene. The crescent moon hanging off centre in the sky, just above the towering palm trees is a small but crisp contrast to the smooth, skilfully rendered washes for the sky.
Make no mistake, Frank Henry Mason was a very fine painter. This exhibition is an absolute must. If that wasn’t enough, another exhibition opens Saturday 21st March at Darlington Railway Museum of Railway Posters and Carriage Prints by Frank Henry Mason. Both exhibitions run until 30th May.”
Extract from http://blog.alanreed.com/2015/03/21/frank-henry-mason-2/
ArtAncient specialises in ancient art, including numismatics, and artworks of cultural and historical interest.
Axis were commissioned to create a print catalogue of a selection of beautiful artefacts and the stories behind them.
Accompanying the major group exhibition marking the Centenary of the First World War, Sensory War explores how artists have communicated the impact of military conflict on the body, mind, environment and human senses between 1914 and 2014.
Saturday 11 October 2014 – Sunday 22 February 2015
Manchester Art Gallery Free
64pp tabloid newspaper, newspaper dispenser, invite and flyer commisioned to accompany the exhibition.
THE NATIONAL GALLERY MASTERPIECE TOUR
The Execution of Maximilian
by Edouard Manet
and Other Histories
Edgardo Aragón, Zarina Bhimji, Omer Fast, Rabih Mroué, Santiago Sierra, Hito Steyerl, Luc Tuymans
The Execution of Maximilian depicts the fatal moment when the young Emperor Maximilian of Mexico, abandoned by the French colonial forces that had installed him there some three years earlier, was shot alongside two of his generals, Mejía and Miramón, on 19 June 1867. The left hand section of the canvas was lost during Manet’s lifetime. After his death it was cut into smaller fragments, some of which were sold off separately, eventually to be reassembled by Edgar Degas. The painting has been part of the National Gallery Collection since 1918.
This important painting – presented at the Mead Gallery as part of the National Gallery Masterpiece Tour – forms the centrepiece to a specially curated exhibition of works by some of today’s greatest artists from across the world. Together they speak of the way the past is represented to us, and of the personal stories at the heart of violent events which are either lost or – like the image of Maximilian’s hand clasping Miramón’s – can only be glimpsed. [Mead]
Commissioned to deliver the graphic identity for the annual ‘Designers in Residence’ exhibition, in conjunction with 3D designers Hunting & Narud we delivered the publication – a newsprint publication wrapped in a litho, debossed cover and all the information design surrounding the four designers’ work.
The novelised version of Beretta’s script, Virgin with a Memory: The Exhibition Tie-in, is published to accompany the major new exhibition by Sophia at Cornerhouse, Manchester. This piece is predicated on Al-Maria’s idea that in today’s challenging environment for independent cinema, the only way to achieve an unadulterated director’s cut of a film is to write it as a novel, making it the director’s sole property. Darker and more introspective than the medium of film allows, the novel is written from the perspective of Suad and interspersed with entries from Al-Maria’s production diary. It also features production research, emails, budgets, kit-lists, schedules, sketches, storyboards, headshots and excerpts from the shooting script. [Cornerhouse]
“This is Contemporary Heritage. A thoughtful, thought provoking series of commissions across the Pennine area that tell new stories, ask new questions and formulate new answers to its rich, often dark, histories.”
Laurie Peake, Director of Projects and Programmes, Liverpool Biennial
Axis designed and branded a commission for Mid Pennine Art back in 2004 called Panopticons | Land. After that commission ended five years later, they developed a new series of commissions in some of the wonderful ‘heritage assets’ of the region titled Contemporary Heritage: A new way of seeing.
This publication is the first of two volumes, and is a document of the first three commissions:
Not Forgotten: Geraldine Pilgrim
Taken: Ailís Ní Ríain
No Match: Claire Morgan
Volume 2 is currently in production.
1 Angel Square is the new home for one of the UK’s most recognised brands, and one of Manchester’s most valued employers.
This dramatic addition to the city’s skyline is already a multi-award-winning structure, boasting more environmentally-friendly features than any of its size in Europe.
Combining text and photographs, Len Grant has documented this iconic new building throughout its construction. He has interviewed the project team, from clients through to architects, engineers and builders, and created a striking pictorial record of The Co-operative Group’s new head office in Manchester’s new NOMA district.
[back cover text]
ISBN: 978 0 7190 9110 0
Axis was also commissioned to produce a special commemorative box for the book, which was then presented to Her Majesty at the official visit and opening of the building on 14 November 2013.
The Queen certainly looks pleased to receive her special Len Grant book. The second in her collection, as she was presented with a previous Axis / Len Grant collaboration at the Commonwealth Games – The Mancunian Way, Clinamen Press.
It would be fair to say we have completed a lot of projects for Neville Gabie, every collaboration is a pleasure. Last year we designed Great Lengths 2012, after his Olympic Park residency and then we followed that up with his limited edition book The Greatest Distance.
A small piece of print for his Bristol University residency was completed this year and now we’ve just designed a specially commissioned blad for his on-going goalpost photography project called Field of Play, which explores his documentary collection from around the World.
At the same time we have been revamping his website in collaboration with Leanda Ryan.
Neville’s site has been completely restructured for both desktop and mobile devices and can be viewed here